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2026, 02, v.46 37-43+52
接受美学视域下网络微短剧的叙事特征研究——以《逃出大英博物馆》为例
基金项目(Foundation): 江汉大学人文学院研究生科研创新基金(项目编号:RYCXJJ2025001)
邮箱(Email):
DOI: 10.16751/j.cnki.hbkj.2026.02.011
摘要:

随着如今媒介技术的不断发展,网络微短剧作为一种新兴的媒介形式,其发展速度也愈发迅速,观众群体不断扩大,已成为学术界关注的焦点。网络微短剧所具有的“微”与“短”的特征,不只是反映在内容的融合压缩和时长的减少上,更表现在观看习惯的转变上。网络微短剧在叙事手法上展现出独特的创新,借助移动设备的便捷性和大数据算法的精准推送,打破了传统影视作品观看的时空限制,赋予观众更高的选择自由度和内容控制权。在视听方面的使用上,网络微短剧与传统的影视剧集存在着显著差别,它更加强调视觉与听觉的冲击力,以增强剧情的紧张感和情绪输出。鉴于网络微短剧追求的是快速的情节推进和信息的密集传递,传统叙事中的“不确定性”和“空白”元素在一定程度上被削弱。

Abstract:

With the continuous development of media technology nowadays, online micro-short dramas, as a new form of media, have been growing at an increasingly rapid pace, with their audience base expanding continuously. They have become a focus of academic attention. The "micro" and "short" characteristics of online micro-short dramas are not only reflected in the integration and compression of content and the reduction of duration, but also in the transformation of viewing habits. Online micro-short dramas demonstrate unique innovations in narrative techniques. By leveraging the convenience of mobile devices and the precise push of big data algorithms, they have broken the spatiotemporal constraints of traditional film and television works, granting viewers greater freedom of choice and control over content. In terms of audio-visual usage, online micro-short dramas significantly differ from traditional TV series and films. They place more emphasis on the impact of visuals and sounds to enhance the tension of the plot and emotional output. Given that online micro-short dramas aim for rapid plot progression and dense information transmission, the "uncertainty" and "blank" elements in traditional narratives have been weakened to a certain extent.

基本信息:

DOI:10.16751/j.cnki.hbkj.2026.02.011

中图分类号:J905

引用信息:

[1]苏文清,罗嘉珩.接受美学视域下网络微短剧的叙事特征研究——以《逃出大英博物馆》为例[J].湖北科技学院学报,2026,46(02):37-43+52.DOI:10.16751/j.cnki.hbkj.2026.02.011.

基金信息:

江汉大学人文学院研究生科研创新基金(项目编号:RYCXJJ2025001)

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